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This wire nirmana work explores balance through irregular form and spatial tension rather than symmetry or mirroring. I chose wire as the main medium because of its flexibility and light visual weight, allowing the form to appear dynamic and almost floating. Instead of creating a rigid or repeated structure, the composition grows organically, with lines bending and overlapping in different directions. Balance in this work is achieved through the distribution of visual energy. Dense areas are countered by open spaces, so the form feels stable even though it appears spontaneous and asymmetrical. The overlapping wire lines create depth and movement, encouraging the viewer’s eye to circulate around the object rather than settle on a single focal point. Through this piece, I explored how balance in nirmana can exist within irregularity, showing that harmony does not require identical forms, but thoughtful relationships between mass, space, and direction.
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